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</html><description>De Rerum Natura / Supra Terram | Critics |&#xA0;A long and detailed process brings to realize a slow research,&#xA0;proceeding by reflections and willing to show an unreal world&#xA0;where the species of animal kingdom live in perfect accord and&#xA0;union, an equilibrium with the universe through the sole harmony&#xA0;among the differences.&#xA0;In Supra Terram , plants and theirs fruits, natural and vital lymph&#xA0;for several animals, have a leading role; the will to begin by the&#xA0;nourishment of the species, such as the animal one, where this&#xA0;sustainability finds happiness and dialogue all around. An analysis&#xA0;on the creatures living above the ground and in the skies, together&#xA0;with a focus on the trees that became the real protagonists.&#xA0;The trees in the very beginning has created and thought as a stage&#xA0;where the several animal species play an active role at different&#xA0;heights, a kind of theatre where the actors were the same creatures&#xA0;in different contests, but in the end the real protagonist has become&#xA0;the tree. For the first time we note in this exhibition, in addition to&#xA0;the specific prevalence of animal living on earth&#x2019;s surface, this action&#xA0;centrality given to the plants and in particular to the fruit-trees that&#xA0;becomes the mainstays around which gravitate animals and icons, a&#xA0;kind of sprinkle constellation on the walls to recreate a cross-section&#xA0;of happiness within the gallery&#xA0;Supra Terram&#xA0; exibition wants to transport the visitor inside a different&#xA0;reality and to be able, through the art, to allow him to reflect on the&#xA0;project themes De Rerum Natura , bringing him into the fascinating&#xA0;unreal and fairy world of the artist where reality appears at all, and&#xA0;where it&#x2019;s often relegated at the bottom of the paper. Collesano&#xA0;imagines and dreams parallel universes where the undisputed&#xA0;ruling kingdom is the animal one, timeless.&#xA0;Animals float in the air and each species live in perfect harmony with&#xA0;the others ones, sharing the same space. The only colour, apart the&#xA0;dark of India-blacks, is given by the preparation of the paper where&#xA0;draws will be realised, to make it old. There aren&#x2019;t preparatory draws&#xA0;and the artworks arise directly by the paper preparation; after the&#xA0;surface has been dried, stains and darker areas appears on the&#xA0;sheets, where Collesano just imagines the shapes or understands&#xA0;where to place the sea, the rocks, the whale&#x2019;s stomach, a bug and&#xA0;so consequently all the rest.&#xA0;The whale is one of the dearest and closest icons on Collesano works&#xA0;since ever and also in this Supra Terram&#xA0; exhibition its presence is&#xA0;fundamental because in artist&#x2019;s research all remain on the surface,&#xA0;his creations swim into an undefined space, in a submerged world&#xA0;into the paper, giving the sensation of a depth and breaking the&#xA0;mono-dimensional sheet. In addition to the whale there are always&#xA0;other elements, with a certain elegance and tact within the scenes&#xA0;such as the key, the sea-horse and the holy heart. Poetry in this works&#xA0;invites us to sail into a world where boundaries has fallen down and&#xA0;to discover the depth and the unconscious, enlarging our field of&#xA0;enquiry, facing our life and the magic of dreaming, in particular to&#xA0;safeguard everything around us for our own existence.</description><thumbnail_url>https://www.andreacollesano.it/wp-content/uploads/2015/07/Agnello.jpg</thumbnail_url><thumbnail_width>508</thumbnail_width><thumbnail_height>400</thumbnail_height></oembed>
